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Fabrik der Künste, Hamburg Hammberbrook, 2009


My art is strongly based on assemblage. The mummified clones appear in different locations and habitats, e.g. playing-, loving- or fighting ones.

Fabrik der Künste

Zwischen den Welten, Helenenstift Hamburg, 2004


With raw material and color, the Egyptian artist Salama, who has been living in Hamburg for 18 years, moves life between the worlds into his pictures. His painting is cheerful and poetic, celebrating the colorful life in subtle nuances and with violent contrasts. His mummy-like sculptures, on the other hand, show injured figures, wounded and crooked, bloodless and pale, wrestling with each other and with themselves.

Row-Material, Gallery Kairos Munich, 2002


Roh-Material, die Erste Etage (Werbeagentur) Hamburg, 2000


My art is strongly based on assemblage. The mummified clones appear in different locations and habitats, e.g. playing-, loving- or fighting ones.

Zur Zeit, Speicherstadt Hamburg, 1999


Art-Event, Fabrikschloß Westend Village Hamburg, 1999


Color Games, IWS Hamburg, 1999


Kunsttreppe, stock exchange Hamburg, 1997


Kunsttreppe: Inspired by Memories, Hamburg Hansevirtel, 1996


The Abendblatt introduces young painters, graphic artists, sculptors, and their work: in the Weekend Journal and in the Hanse Viertel. The Kunsttreppe presents from 31st August - 8th September Works by Salama Mohamed: "Inspired by memories".

Egyptian avant-garde, Pro-Linguis Kulturforum, Hamburg, 1996


Egyptian avant-garde, Pro-Linguis Kulturforum, Rothenbaumchaussee 97 Hamburg, 1996 The Prolinguis Kulturforum presents: Egyptian avant-garde. We invite you and your friends to the paintings and drawings by Salama Mohamed on Friday, January 12, 1996 at 8 pm in. Welcome by the Consul General of Egypt Mr. Samir Mohamed Shouman.

Gallery Dialog, Bremen, 1995


exhibited:

Ägyptische Avantgarde, Museum Rade Reinbek, Schleswig-Holstein, 1995


Galerie Nova Lisa, Hamburg Harvestehude, 1994


The artistic visions of Salama Mohamed on his works:
The pictures I show here deal with the environmental destruction of modern humans. At the center of my pictures is the person alienated from nature and thus alienated from himself. With my "icons of the present, I would like to point out the time when man and nature lived in harmony. In my work I try to combine the technique of fresco painting with ancient Egyptian symbols. An essential for my art is to use only natural materials and to fall back on a color palette reduced to natural colors.
My pictures are an invitation to the viewer to reconcile with nature.

Die Geburt der Schrift, Hamburg, 1996


Without seeking to bring the ancient Egyptian cultural content into the present, fragments of that culture are used to find a visual language appropriate to the twentieth century. The forms of hieroglyphics borrowed from nature are taken as inspiration to build up an image.Salama describes his style of work not as an attempt to conjure up the origin, but also not to entirely renounce it. "Establishing a connection between the eyes of a 20th-century man and the background of a 5000-year history that focuses on the present is also the experimental search for images that detach themselves from space and time and show their timelessness." , notes Salama Mohamed.

time art, Die Fabrik, Hamburg, 1996


In October Salama Mohamed will exhibit his paintings and objects at the Fabrik Galerie. Salama Mohamed was born in 1963 in Alexandria / Egypt. From 1982 to 1986 he studied graphics in Alexandria. After that he came to Hamburg and since then he lives here. In two exhibitions he had previously presented his works together with other artists, this is his first solo exhibition. The images and graphics are, according to his own statements, strongly influenced by elements and symbols from the history of Egypt, which appears again and again in his fantasy and his dreams and therefore find their expression in his works.